![]() The Ensemble Sordino Long patch would be great for an emotional farewell between characters or perhaps the romanticism behind a show tunes track, while the Bartok Pizzicato (a technique that calls on the violinist to snap the string against the fingerboard) provides a heightened bouncy feel. The patches help to sort through this ocean of samples. The samples are smartly launched according to velocity, so the instrument adjusts to your playing. For instance, Troels Folmann (composer and producer of this VST) forced violinists to play the same trill for 45 minutes instead of playing a shorter trill and looping it.Įach articulation has been captured in all of its variations, like the bowing variation that can occur between two successive spiccatos. The recording quality and the sheer amount of samples are impressive. All the recordings are crisply presented, with little unwanted reverberation. The Adagio Violin from 8Dio effectively captures the violin with detail and depth. The Joshua Bell Violin lives up to the virtuoso violinist’s name, and it will be useful for those who need a dynamic solo performance. Together, these controls easily prevent that typically “fake” MIDI sound, which is the golden standard for these instruments. ![]() The multi-stop selection allows you to choose to hit at either one or two, and it also changes the speed from which they hop between these “stops.” “Stops” are essentially chords, but because the violin has a curved bowing area, the four chord notes can only be played one or two at a time. This is a way to realistically emulate double, triple, and quadruple stops. ![]() The most interesting control, not seen on other violin VSTs to date, is the multi-stop attack selection. ![]() Other VSTs may achieve similar effects by mapping LFOs separately, but this method wouldn’t compare to the speed and resultant sound of the Joshua Bell VST. While many VSTs attempt auto-humanization, few do so for so many parameters, which accounts for the VST’s artistry. Turning down the humanization provides a tighter, more quantized performance. It provides auto-humanization and several continuous inputs, including bow variance, attack pitch instability, speed pitch instability, and interval pitch instability. The most interesting feature of the VST is the Intuition page. While this certainly seems possible, a truly Bell-level performance will require much practice first. With 12 different legato types, this VST promises to capture the artistry of Bell’s performance. For most pop producers, this violin would be overkill. Buying this VST for anything less would be a waste of its abilities and your money. This violin VST is meant for people writing violin solos with varying rhythms, quick runs and arpeggios, and a strong dynamic range. This complexity is belied by a minimalist interface, the imagery hearkening back to the violin’s Italian history: born of the Baroque period, with Bach and Vivaldi writing technically demanding passages like those from the Four Seasons. Three violin timbres (Sordino, Sul Pont, Sul Tasto) are further subdivided into a multitude of articulations, and your music will pay dividends if you master the key switches. Together, they are a formidable sound, which Embertone captures with clarity. With any luck (and better marketing), your tracks will garner more tips if they sound as good as he does.Īlso noteworthy is his Stradivarius Violin, which is over 300 years old and is valued at over one million dollars for its brilliant tone. metro stop for tips (or lack of tips) in that viral YouTube video. And he’s also the guy who performed incognito at the D.C. Joshua Bell is the world-famous, Grammy Award winning violinist. Joshua Bell Violinįirst thing’s first, it’s worth noting the violinist from which this VST is sampled and named.
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